01 Front · Studio photograph
1 / 7
House · Z-VIBE HERITAGE ACCESSORIES™
Ivory linen-wrapped phone case with a narrow Bogolan mudcloth inlay stripe and a tiny gold Z pin badge. Care: spot clean only.
01 Front — Straight-on front: silhouette, closure and the placement of the Bogolan mudcloth panel.
View 1 of 7: 01 Front of Ivory Linen Phone Case — Men. Straight-on front: silhouette, closure and the placement of the Bogolan mudcloth panel.
The House publishes imagery and design narrative. Construction files, refinement records and production data remain confidential House IP.
7 of 7 views released as published photography; remaining angles read the design board.
“Ivory Linen Phone Case — Men” is published under House · Z-VIBE HERITAGE ACCESSORIES™ as a protected House mark.
The narrative and where the Bogolan signature sits are told openly; the artwork files are not.
Fabric family and heritage colourways are stated; mill sourcing and finishing recipes are withheld.
Tread identity, stack height and hardware naming are public; tooling geometry and moulds are protected.
Held in the Innovation Vault behind authenticated, short-lived signed links. Never published.
Refinement pipeline settings and prompt history are internal studio IP.
Supplier identities, sampling stage and costing stay confidential to the House.
In development
Reference study · not yet for sale
This piece is documented from an atelier design board. It is shown for reference only while the house completes its photography, sizing and release. Purchase, pricing and availability appear here once the owner approves the finished piece.
Readiness · 2 of 8 complete
👁️ 7-View master production board
1. Apparel (Chest) — High-density metallic gold embroidery over premium cotton
Premium hoodies, shirts and tracksuits: 3D puff embroidery in metallic gold thread, raised off the fabric so the emblem catches the light.
2. Apparel (Sleeve) — Seamless matte black silicone heat-seal print on the right cuff
Minimalist accent at the upper centre-back neck or right wrist, executed in high-frequency TPU printing for a durable rubberised texture.
3. Footwear (Lateral) — Large aerodynamic gold swoosh-Z stitched on the outer leather
A separate piece of metallic gold leather or reflective vinyl cut and stitched onto the outer side panel with ultra-tight matching thread lines.
4. Footwear (Heel) — Solid-cast 3D zinc-alloy metal badge bolted to the counter
Mould-forged zinc-alloy emblem in polished mirror-gold plating, clipped securely through the leather heel tab.
5. Footwear (Insole) — Premium gold-foil hot stamp pressed into the leather liner
Centred under the heel inside the shoe, heavy-pressure foil hot-stamped into ultra-soft leather or suede so it will not rub off with wear.
6. Fragrance (Bottle) — Raised metallic curved sticker flush on the stiletto glass
Electroplated nickel transfer label formed around the glass shoe curve, matched to the gold stiletto heel.
7. Event tent (Canopy) — Flat vector gold gradient printed on 600D canopy fabric
Single-path high-contrast vector for trade-show tents and tables, scaled across 3×6m dye-sublimation panels with zero pixelation.
Linen-wrapped shell, Bogolan mudcloth inlay stripe, miniature gold-tone Z pin
Story behind the design
Kere mudcloth in moss & ochre, worked into the crop neck band, left cuff, right cuff.
moss & ochre
ZB-KERE-MOS-367
Bogolanfini begins as hand-woven cotton strip cloth, joined selvedge to selvedge before it ever meets the dye. It is dyed with a n'gallama leaf bath, then river-mud fermentation over three passes — the pattern is not printed on, it is drawn in mud and then the ground around it is lifted away. On this piece the mudcloth meets linen-wrapped shell, bogolan mudcloth inlay stripe, miniature gold-tone z pin.
The tape carries tight lattice with hand-dotted corners. In the Bamana reading, Kere is the fence weave — protection of what has been built. Z-Vibe keeps the motif at heritage scale rather than shrinking it into a logo pattern, so the hand of the maker stays legible on the finished piece.
Mudcloth is placed on construction points, never scattered as decoration: crop neck band, left cuff, right cuff, front placket. These are the lines the eye already follows on this silhouette, so the cloth reads as structure — an edge, a facing, a seam — and holds its meaning at three metres and at arm's length alike.
Each length is cut on the straight grain, mitred at the corners and felled by hand so no raw edge is left inside. Tape width and motif repeat are cut to the size band, so a petite run and an extended run carry the same proportion rather than the same measurement.
African heritage, global luxury, future design: the mudcloth is set against European finishing and the aged-gold Z-Closure™ mark. Nothing is erased on either side — the meeting is the design. Different Roots. One Human Story.
Care · Cold hand-wash or specialist clean only. Mud dye deepens with age; never bleach, and dry flat away from direct sun.
Each step below reflects work that actually exists for this piece. Refinement is a design process — it does not imply the piece is production-released.
Owner-approved design board intakeComplete
The signed design board was registered as the source of truth; silhouette, Bogolan placement and hardware were locked from it.
Z-Sole Architecture™ assignmentComplete
Sole identity resolved for this style — Z-Grip™ Men Cut (ZG-8444) on the Z-Grip™ lugged rubber chassis, split-diamond Z lugs stepped in three depths, tapered aerodynamic last with a raked heel breast, stack 34 mm heel / 22 mm forefoot, 12 mm drop, laced in narrow Bogolan ribbon lace with a hand-knotted stopper, diamond Z at the lateral wall, Z-VIBE at the medial wall. Tread, last and stack height were made unique to the shoe rather than shared across the register.
Bogolan signature verificationComplete
Mudcloth was confirmed as a construction detail (laces, panel, tongue or heel band) and not surface print, and the aged-gold Z-Closure™ mark was placed.
Z-Studio 4K refinement passComplete
Studio refinement rebuilt the shoe at 4K: cleaner last geometry, corrected proportions and true material rendering on the released angles.
Seven-view studio captureComplete
All 7 angles were shot as distinct photographs.
