Sunday Best Shirt · 4/6 checks · Reference only — buy controls inert
Board art present
Primary plate resolves.
Seven views
7/7 view slots resolve · 1 real photograph(s), rest derived from the plate sheet.
Bogolan signature
Placements: crop neck band, left cuff, front placket.
Colourways
12 colourway(s) registered.
Owner marked art final
Awaiting owner sign-off — reference only.
Released for commerce
Buy controls stay disabled in preview.
This plate has not been released by the owner. Preview shows the storefront presentation and Bogolan detail only; price, stock and checkout stay disabled until the plate is signed off in the approval register.
House · Z-Vibe Season Atelier™ · Girls
Spring. Ivory occasion shirt with a pintuck front and mudcloth cuff link tabs. Child-safe by construction: no neck cords, fixed hardware only, rounded trims. Wash cool, dry flat, keep the mudcloth trim away from bleach.
Choose how you inspect it.
Visual experience—color and fit may vary.
Seven views
Z-Motion™ film slot
No film cut for Sunday Best Shirt yet. The slot is reserved on the plate.
Commission the film →Spring. Ivory occasion shirt with a pintuck front and mudcloth cuff link tabs. Child-safe by construction: no neck cords, fixed hardware only, rounded trims. Wash cool, dry flat, keep the mudcloth trim away from bleach.
Made up in Ivory fine poplin, pintuck front, Bogolan mudcloth cuff tabs.
Registered in 4 colourways: Pearl Ivory, Sky, Rose Clay, Gold Sand.
Sized 3-4Y–13-14Y across the run.
Filed under Girls · Z-Vibe Shirt Atelier™ as Girls shirts, carried on the House · Z-Vibe Season Atelier™ · Girls line.
Momentum, tailored.
Select a color to update all 7 views.
12 colourways
SKU ZV-GIRLS-SHIRTS-SUNDAY-BEST-SHIRT
Mudcloth in sand & charcoal — light tape on deep cloth.
24mm tape · 56mm motif repeat · house proportion
Woven tape belt cut from the same run as the garment trim.
Story behind the design
Kere mudcloth in sand & charcoal, worked into the crop neck band, left cuff, front placket.
sand & charcoal
ZB-KERE-SAN-970
Bogolanfini begins as hand-woven cotton strip cloth, joined selvedge to selvedge before it ever meets the dye. It is dyed with a wolo bark tannin with iron-rich mud drawn from the Niger banks — the pattern is not printed on, it is drawn in mud and then the ground around it is lifted away. On this piece the mudcloth meets ivory fine poplin.
The tape carries tight lattice with hand-dotted corners. In the Bamana reading, Kere is the fence weave — protection of what has been built. Z-Vibe keeps the motif at heritage scale rather than shrinking it into a logo pattern, so the hand of the maker stays legible on the finished piece.
Mudcloth is placed on construction points, never scattered as decoration: crop neck band, left cuff, front placket. These are the lines the eye already follows on this silhouette, so the cloth reads as structure — an edge, a facing, a seam — and holds its meaning at three metres and at arm's length alike.
Each length is block-matched panel to panel — the atelier discards any length where the repeat cannot be aligned. Tape width and motif repeat are cut to the size band, so a petite run and an extended run carry the same proportion rather than the same measurement.
African heritage, global luxury, future design: the mudcloth is set against European finishing and the aged-gold Z-Closure™ mark. Nothing is erased on either side — the meeting is the design. Different Roots. One Human Story.
Care · Spot-clean the mudcloth with cool water and a soft cloth. Dry-clean the body of the piece; the tape is colour-set but not bleach-safe.
Each step below reflects work that actually exists for this piece. Refinement is a design process — it does not imply the piece is production-released.
Owner-approved design board intakeComplete
The signed design board was registered as the source of truth; silhouette, Bogolan placement and hardware were locked from it.
Z-Sole Architecture™ assignmentComplete
Sole identity resolved for this style — Z-Grip™ Shirt Cut (ZG-6906) on the Z-Grip™ lugged rubber chassis, chevron storm channels cut edge to edge for water clearance, high-walled bootie last with a wrapped ankle cradle, stack 22 mm heel / 18 mm forefoot, 4 mm drop, laced in twin-tone Bogolan flat tape, obsidian on ivory, aged-gold aglets, diamond Z at the lateral wall, Z-VIBE at the medial wall. Tread, last and stack height were made unique to the shoe rather than shared across the register.
Bogolan signature verificationComplete
Mudcloth was confirmed as a construction detail (laces, panel, tongue or heel band) and not surface print, and the aged-gold Z-Closure™ mark was placed.
Z-Studio 4K refinement passComplete
Studio refinement rebuilt the shoe at 4K: cleaner last geometry, corrected proportions and true material rendering on the released angles.
Seven-view studio captureIn progress
1 of 7 angles are distinct photographs; 02 Left, 03 Right, 04 Back, 05 Interior, 06 Inner tags, 07 Fabric detail still read the design board.
Cut in Ivory fine poplin with pintuck front, Bogolan mudcloth cuff tabs. Curve-friendly darted tailoring, modest coverage, clean shoulder line.
Bogolan is placed with intention \u2014 crop neck band, left cuff, front placket \u2014 a construction language rather than decoration.
Z-signature buttons at the Discreet Z at the cuff, waist or closure — never a chest logo, finished under Global Heritage Fusion\u2122: African heritage in dialogue with global tailoring and future design.
Momentum, tailored.
Bogolan SignatureIn development
Reference study · not yet for sale
This piece is documented from an atelier design board. It is shown for reference only while the house completes its photography, sizing and release. Purchase, pricing and availability appear here once the owner approves the finished piece.
Readiness · 1 of 8 complete
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